“Paddy? What a fantastic death abyss!” Why the 1990s were David Bowie’s REAL creative hot streak
My revisionist piece on the David Bowie’s least-known (but most creatively rewarding) purple patch was published in Sabotage Times today, just as the world hailed his latest offering. I argue that his lost years – Tin Machine, Black Tie White Noise, 1.Outside, Earthling, even The Buddha of Suburbia and his revelatory, manic…